Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
Contact Details
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‘Women Picking Flowers’ attr. to Alfred Oliver
Item Description
Oil painting on canvas depicting a quite delightful scene of three women picking wild flowers on a summer’s day in a parkland setting.
The subjects are seen in the middle distance, with the foreground comprising long grass and an assortment of poppies and other flowers.
Tall trees form the backdrop together with a rather splendid fountain and just the front corner of a building which can be seen at the edge of the undergrowth.
Signed at bottom right, the first name reading Alfred but the surname being rather indistinct. However, after extensive research and the help of a trusted contact, we are now pretty sure the painting is by Alfred Oliver (1868-1943). The year 1902 is noted alongside the signature.
Oliver exhibited his work at the Royal Academy between the years 1886 and 1921.
We have had the painting sympathetically framed and the overall size is approximately 46 cm high by 64 cm wide. The visible area of canvas measures just over 37 by 55 cm.