Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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The Lady and the Unicorn
Item Description
Impressive framed enamel on copper, by the French maitre-emailleur Ernest Blancher (1855-1935).
The image is taken from one of the series of six tapestries woven in Flanders in the 1500’s, currently on display in the Musée National du Moyen Âge in Paris. These are said to depict the five senses, with love and understanding being the sixth.
This enamel picture dates from the late 1880’s and is a detail from the tapestry representing ‘Touch’, showing the noble lady standing and touching the horn of the unicorn while holding up the long staff of a pennant.
Blancher was successor to the workshops of F. Lot and Louis Dalpayrat in Limoges and examples of his work are keenly sought after at auction.
Measuring 46 X 31.5 cm overall with the visible image just a fraction under 32 X 17 cm.
There is a tiny piece of enamel missing just below half way down the left hand edge, and from here a fine hairline fracture runs across the blue colour beneath the lady’s outstretched arm. For complete accuracy this is shown in extreme close-up in the final photo.