Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Silver and Enamel Pendant by William J. Holmes*
Item Description
Art Nouveau shield shaped silver pendant highlighted with three richly enamelled panels decorated with silver detail.
The enamelled areas are divided by a tapering beaded cross which curves gently downwards. At the top is a little upturned silver heart, and a pearl drop at the foot completes a well balanced and elegant overall design.
Suspended on two short lengths of chain from a central ring, the pendant shows on the back a partially rubbed but still recognizable maker’s mark for William J. Holmes together with a Birmingham hallmark for the year 1909.
Approximately 6 cm. long from the ring to the bottom of the drop, with the necklace chain measuring just under 46 cm.