Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Paul Chabas Lithograph
Item Description
Circular framed lithograph of a painting by the French artist Paul Émile Chabas (1869-1937).
The original painting, which dates from circa 1915, is similar in its theme to his well known ‘September Morn’ painted in 1912, which so upset the New York Society for the Suppression of Vice as being purportedly immoral, showing as it did a young nude woman standing in shallow water in the open air.
This delightful picture, painted in soft shades and still in its original circular frame, depicts two young ladies attending to their tiolette at the edge of a lake with mountains in the background.
Part only of some lettering can be seen half hidden by the frame at the bottom of the picture, and, if it could be fully seen would probably reveal the name or initials of the printer.
A small label affixed to the back indicates that the image was framed by F. Coudert in Nimes.
The overall diameter is 34 cm and the image alone 27.5 cm.