Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Pan and the Three Graces
Item Description
Fine old watercolour depicting Pan in a forest setting, seated on the ground at the foot of a large tree while three nubile young women are quietly approaching him out of his sight.
He appears to be immersed in playing his pipes and is completely unaware that he is being watched.
Pan, the god of nature and the wild and friend of the nymphs, is often associated with sexuality and in particular, fertility. Hence the interest of the so-called Three Graces.
This is a very appealing composition with a beautifully balanced look. The dappled light falling on the bodies of the subjects together with their various postures is captured quite beautifully by the artist.
French, dating from circa 1910 but with a signature that is a little indistinct. It appears to read Cleau, about whom we can find no information.
In its original Oak frame measuring 51 X 47 cm and with the glazed back showing an unfinished pencil sketch, presumably by the same artist.