Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Orientalist Scene*
Item Description
Stunning (and it’s not often we use that word) enamel picture by the master Limoges enameller Jules Sarlandie (1874-1936).
Vibrant colours depict an orientalist scene ahead on the road, with assorted figures at the foot of steps leading up to the first floor of an impressive domed mosque. Others are seen around a market stall, canopied to shield it from the heat of the sun.
A large palm contained within a walled garden perfectly balances the composition, with further buildings seen in the distance.
Almost certainly enamelled on to copper but we have not removed the image from its gesso frame to check. However, the picture is given added emphasis with its convex shape.
The enamel is in excellent condition apart from a small hairline crack in the top right corner of the sky which is barely visible other than under very close inspection. The gesso frame has a few small losses but not enough to persuade us to have it reframed.
25.5 X 36 cm overall with the image alone approximately 19 by a little over 29 cm.