Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Necklace by Jessie M King for Liberty*
Item Description
Silver and enamel pendant necklace designed by Jessie Marion King for the Liberty of London store circa 1910.
A sweeping wing-shaped outline enamelled in a mix of blues and greens, with the fine silver lines that separate the enamelled areas detailed with clusters of tiny silver flowers. More are seen at each wingtip and in the centre of the trefoil detail at the top.
The pendant hangs on four short lengths of chain from a pair of matching enamelled spacers which connect to the necklace chain.
Width is 6 cm and the length from the top of the spacers is approximately 7 cm., the remainder of the chain measuring a further 35 cm.
Marked on the back with a slightly rubbed Liberty mark.
This pendant was also seen with an enamelled drop but we can see no evidence that suggests this particular piece has ever had a drop attached.