Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Le Faguays ‘Trophée’*
Item Description
One of the most stunning male figural group studies produced in the Art Deco era must surely be “Trophée” by the French sculptor Pierre Le Faguays.
Originally produced circa 1925, the year after Paris held its second Olympic Games, it depicts three male athletes, two of whom are supporting the victor on their shoulders. He wears a laurel wreath around his head and in his raised right arm proudly holds aloft a palm frond as a symbol of peace, triumph and eternal life. The palm leaf was one of the most common attributes of victory in ancient Greece.
Cast in high quality art metal at the Le Verrier foundry and with a pleasing slightly bronzy green patina.
Set on a six-sided black marble base and with a height of just over 63 cm. The width of the base is 34 cm. Signed Le Faguays in the marble.
In lovely condition with just a very slight bruise to the rearmost man’s right buttock which is not at all noticeable on display.