Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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‘La Bonté’ by Gaudez*
Item Description
Dating from circa 1890, this is an old original all bronze casting of Gaudez’ “La Bonté” which was also produced in a smaller size in bronze and ivory.
The title roughly translates to “Goodness” and the lady is seen distributing alms to the poor from a purse full of coins she’s holding in her left hand. She is very elegantly dressed in a long gown, richly patterned with a floral design and a deep ornate hem. The front is slightly raised, revealing an underskirt just covering the tops of her shoes. A wide, buttoned collar sits around her shoulders and her outfit is completed with a finely detailed cap.
This is a beautifully cast, intricate sculpture and the quality can clearly be seen in every aspect of the detail – the flowing folds of her clothing, her plaited hair, the tasselled braid she wears around her waist and even the coin she is offering.
With an age-worn gold-doré patination which we would not wish to clean, although we acknowledge there are sometimes two schools of thought on this subject.
Signed in the bronze A. Gaudez (Adrien-Etienne Gaudez 1845-1902) and with a title plaque to the front of the base which also states “Hors-concours”. The height is approximately 34 cm and the diameter of the base around 10cm.
Lit: Berman – vol. 2, p. 338 (shown in bronze and ivory).