Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Harbour Scene by Moonlight*
Item Description
Oil painting on board of a moonlit harbour scene attributed to the Scottish academic painter Robert Payton Reid (1859-1945).
Beautifully composed, and superbly lit, with the light from the late evening sky breaking through a couple of gaps in the clouds above and reflecting on the water.
Even at this late hour there is plenty of activity going on, with the eye being immediately drawn towards the two men in the boat in the foreground.
We can find no signature but our vendor, a respected dealer in a wide variety of paintings, tells us that the picture can be reliably attributed to Reid, who studied at the Royal Scottish Academy together with schools in Munich and Paris, exhibiting his work from 1880 onwards. Most of his paintings show rather tranquil scenes, often with a young lady in a cottage garden setting, so this is a little different.
The old frame has had a few small knocks in its lifetime and measures just over 62 by 48 cm. The visible image is a fraction under 44 by 29.5 cm wide.