Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Goldscheider Young African Woman*
Item Description
Rarely seen Goldscheider Orientalist terracotta bust of a young north African woman, sculpted by Auguste-Maurice Lévèque, dating from c. 1891-93.
She is semi-naked with one breast completely exposed and the other partially covered by her ornately coloured shawl. Around her neck she wears a necklace of three gold trinkets or coins and a gold bangle adorns her right arm.
This is a high quality bust and the usual attention to detail that is so typical of this manufacturer is plain to see. The face, hair and folds to the clothing are all quite superb.
There is a male bust, no. 766 by the same artist, that matches this in style and the two together make a very desirable pair. At present however we are only able to offer this one on its own.
Marked verso on the studio’s earliest terracotta applied plaque, Fr. Goldscheider, Reproduction Reservée and numbered 767/12. The height is approximately 44 cm.
Lit: Dechant/Goldscheider p. 300. Also Pinhas p. 19.