Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Goldscheider Terracotta Dutch Girl
Item Description
Terracotta bust by the artist F. du Prémont for Goldscheider dating from 1897-98.
Finished in shades of dark bronze and gold, the young Dutch girl is modelled wearing an off-the-shoulder frock and cape and a traditional lacy head-dress. She’s looking downwards with a somewhat impish smile on her face – perhaps she knows something we don’t…
Numbered 1402 and marked with the Fr. Goldscheider signature but not signed by the artist. We know who he is however from the Dechant/Goldscheider volume, page 320.
Approximately 47 cm high and in good condition with a few typical minor marks to the patina and one small chip to the back of the base which can be seen in the sequence of photos.
Lit: Dechant/Goldscheider p. 320 – also Pinhas pp. 34 & 97