Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Goldscheider Little Girl & Doves
Item Description
Really gorgeous Goldscheider model of a little girl in a pretty bue dress with a flared skirt and puff sleeves, looking very closely at the dove she’s carefully holding in her cupped hands. She has a big blue bow in her hair and cute little black shoes. Another pair of doves is standing on the ground by her feet. Her young face is full of wonder as she quietly watches the precious bird in front of her eyes.
This very desirable and rather rare piece dates from around 1937-38 and was designed by Dakon. However there is some confusion over this as the book by Ora Pinhas attributes the model to Claire Weiss. The confusion is explained in the Dechant/Goldscheider book on page 473 and this particular figure is clearly signed on the underside by Dakon.
With the impressed numbers 7836/31/6 and a height of virtually 33 cm, it is in excellent condition with just a little glaze crazing visible. It is possible that the base has received a small degree of professional invisible restoration at some stage, but this is not at all obvious.
Lit: Dechant/Goldscheider p. 473 – also Pinhas p. 135