Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Arts & Crafts Silver and Amethyst Pendant
Item Description
Impressive Arts & Crafts silver pendant featuring two prominent open flowers, possibly roses or peonies, each emerging from separate cornucopias, either side of a teardrop shaped faceted amethyst stone.
Above this is another opening flower bud along with several leaves, one of which curls over the top of the amethyst.
The original decorative bale is still in place and a stylish mother-of-pearl silver set drop is suspended below.
Length, including the bale and the drop, is 7 c, and the pendant is complete with a good Arts & Crafts silver chain, measuring 44 cm, which has a toggle type fastener.
Late 1800’s, probably Austrian or German in origin and marked on the back for 800 silver together with a maker’s mark that we are unfortunately unable to identify.