Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
Contact Details
Tel: +44 (0)7802 872363
0345 6071772
Email: info@nouveaudecoarts.com
Father Time Marble and Dinanderie Clock by Mergier*
Item Description
Rare and highly stylish Art Deco clock by the French master of the art of dinanderie Paul-Louis Mergier (1891-1986).
With a delightfully curved outline and depicting on the face the artists portrayal of the bearded Father Time (often confused with the god Chronos), seated on the ground with a naked young woman worshiping at his feet while a winged cherub hovers nearby.
These figures are set against a background of the sun rising above dark clouds with greenery below. It’s a stunning image and so very apt for a clock face.
The frame of the clock is made of marble variegated in assorted shades of brown, with a lighter coloured marble section inserted at the back.
Additionally decorated with a repeat-pattern gold coloured band all round the curved circumference, surmounted by a floral and foliate motif on the top.
There are two apertures for winding, the one facing on the left being for the chimer.
Circa 1930 and signed at the base of the front P. Mergier, the height is 29 cm and the width 26 cm.
We have not had this clock checked over but it runs when wound – albeit rather fast – and the bell chimes. It would however undoubtedly benefit from a professional service which, in view of its weight, we feel would be best left to a new owner in case any delicate adjustment or balance might be disturbed in transit.