Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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‘Diana of the Uplands’ after Furse*
Item Description
Oil on board painting titled ‘Diana of the Uplands’ after the original by Charles Wellington Furse A.R.A. which hangs in the Tate Gallery, London.
Full of atmosphere, Diana is seen on a widswept moor, holding in one hand her hat against the strong wind and with a pair of greyhounds straining at the leash she holds in the other.
Signed verso by Eustace Appleton and dated 1905 which was a year after the death of Furse himself at the sadly young age of thirty-six.
We’ve had the painting sympathetically framed and it now measures 43.5 X 33 cm overall – considerably smaller that the huge size of the original which is over 2.30 X 1.7 metres.