Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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‘Chevauchée’ by Charles*
Item Description
Art Deco spelter sculpture designed by Charles and cast at the Le Verrier foundry in Paris.
Known as ‘Chevauchée’ and depicting a naked Diana astride a splendid horse rearing up on its hind legs. She’s holding on to the horse’s mane with one hand whilst clutching the edge of a long, wide drape that falls from over her arm and curves down to the base behind and below her.
Great detail and with typical Art Deco stylising which gives strong additional impact to the figure.
Signed C. Charles between the rear legs of the horse and dating from the late 1920’s.
Mounted on a black marble base measuring around 62 X 15 cm. The leading leg of the horse extends approximately 3.5 cm beyond the base and the total height is 51 cm.