Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Charles Korschann Inkwell*
Item Description
Very rare gilded bronze combination inkwell and desk tidy fom Charles Korschann (1872-1943).
Beautifully cast by the Colin foundry in Paris, and so typically Art Nouveau.
Depicting an elegant slender maiden wearing a long ornate gown, standing centrally amongst flowers and leaves, with the tray spreading out either side of her. She appears to be relaxing by the water’s edge in a garden and is leaning back against a low arched support.
The large leaf at her feet opens sideways to reveal the old original insert for the ink.
Although the gilding is unsurprisingly showing signs of wear, this is a stunningly lovely piece which is still in good overall condition. It even looks impressive when viewed from behind, with fine detail to the flowers, the foliage and the lady’s dress. The earthenware insert has a fine hairline crack and one or two minor nibbles to its edge but is sound.
Signed Ch. Korschann and also with the mark of the Colin foundry. Around 28 cm high and 36.5 cm wide.