Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Bronze Figural Candlesticks*
Item Description
A pair of rare and very unusual bronze candlesticks by the French sculptor Émile Carlier (1849-1927).
Depicting Egyptian semi-naked male entertainers, each balanced on one leg and standing on a large urn which, just to make it even more difficult, is lying on its side. They are holding long double rods or bars which are decorated with wreaths and finials, each supporting two candle holders.
The only other time we’ve come across these, both figures were facing the same way and were not therefore correctly a pair. These however are a true pair since, as intended, they mirror one another.
Very nicely cast and with a good dark patina, they are each mounted on a three-tiered graduated black marble and red marble base. The bases are further raised on four stylish bronze feet.
Standing approximately 26 cm high and dating from the early 1880’s, each is signed in the bronze E. Carlier.
Carlier studied sculpture in Paris at the École des Beaux Arts and later in his career was awarded the rank of Officier in the Légion d’Honneur.